Kerby’s world….

just woke up with a song i usually heard in a foreign language… DAMN! this new trend of so called music they are trying to make is really bugging me… it started with "umbrella" that they made in tagalog then "low" and now this one… SHAME SHAME… its bad enough we are stuck to make hits coming from covers but this is way plain weird!!! i wonder if people really listens to this crap or it’s just labels effort for you to listen to it.

CRAP CRAP CRAP!

i would rather listen to japanese/chinese songs made to tagalog rather than this. it’s kinda odd when you know the song in it’s original language…

PUFF!!!!

i met this guy last night at jacksonville gig of parokya ni edgar… what fascinates me with this fella is he is born in states, raised in states, thou both his parents migrated long time ago here, he really really wants to learn everything in his filipino culture… he even talks to us in tagalog… "musta na pare… filipino ako… san kayo pupunta.. astig kayo.." and yeah with his state accent…. had a talk to him and his very eager to learn our culture… he already bought a condo somewhere in the fort and always come home home yearly just to get along with other filipino friends…

i was really impressed by his nationality and curiosity for what he has… even told him that his a real filipino cause of what his aiming for. told him a story of some few years back when i met someone who just left philippines and stayed there for a month or so that whenever i talked to her in tagalog she always answers back in english… what the ?$%! she even told me that its hard for her to talk staright tagalaog… figure??

for roger who always party hard and always saying that "gago ako pero mabait…" man…. PILIPINO KA!!! I’m proud of what you become man!!!

napaasnsin nyo bang paunti ng painto ang pinapatugtog na matinong banda sa radio? nagiging "i-tak-tak mo" at "de-do-do-doo- de-da-da-ahhh" hay…. kakalungkot… alam nyo ba kung ano na ang nagyayari sa ating eksena? may mga radio na nagsimula nang iwasan patugtugin ang mga banda dahil nais daw nila baguhin ang "uso"…

"uso"? bakit?  "uso" lang ba tong matitinong tugtugin na nangyayari nung mga makailang buwan?  "novelty" ba at tipong "hanggang dito na lang"?

huwag niyong hayaan diktahan nila kayo… naalala ko nung ‘92 nung umusbong ang earaserheads at nagsimulang mamuhay ang mga pinoy bands scene eh walang magawa ang mga nasapwesto… nung bumalik si bamboo at pinahahayag nyang "hoy! pinoy ako!" at nagsimula ulit mapansin ang eksena… di naman ito nawawala… ang bamboo naalala ko pa sa 70’s bistro dati kokonti lang kaming nanonood… puro pa kaibigan..

sa akin lang… wag nyong hayaan paapekto sa mga nais nilang gawin. sundin nyo lang ang nasa puso… sabi nga ni danny javier sa kami nAPO muna… "damhin nyo na lang ang puso"

hay naku…

suportahan ang eksenang pilit binabago ng radio…

tagkilikin ang tumatangkilik…

kung walang magpapaepekto… wala silang magagawa kundi pakinggan ang nais mangyari ng tao…

^_^ !

In Buddhist teaching, the law of karma, says only this: `for every event that occurs, there will follow another event whose existence was caused by the first, and this second event will be pleasant or unpleasant according as its cause was skillful or unskillful.’ A skillful event is one that is not accompanied by craving, resistance or delusions; an unskillful event is one that is accompanied by any one of those things. (Events are not skillful in themselves, but are so called only in virtue of the mental events that occur with them.)

Therefore, the law of Karma teaches that responsibility for unskillful actions is born by the person who commits them.

Let’s take an example of a sequence of events. An unpleasant sensation occurs. A thought arises that the source of the unpleasantness was a person. (This thought is a delusion; any decisions based upon it will therefore be unskillful.) A thought arises that some past sensations of unpleasantness issued from this same person. (This thought is a further delusion.) This is followed by a willful decision to speak words that will produce an unpleasant sensation in that which is perceived as a person. (This decision is an act of hostility. Of all the events described so far, only this is called a karma.) Words are carefully chosen in the hopes that when heard they will cause pain. The words are pronounced aloud. (This is the execution of the decision to be hostile. It may also be classed as a kind of karma, although technically it is an after-karma.) There is a visual sensation of a furrowed brow and downturned mouth. The thought arises that the other person’s face is frowning. The thought arises that the other person’s feelings were hurt. There is a fleeting joyful feeling of success in knowing that one has scored a damaging verbal blow. Eventually (perhaps much later) there is an unpleasant sensation of regret, perhaps taking the form of a sensation of fear that the perceived enemy may retaliate, or perhaps taking the form of remorse on having acted impetuously, like an immature child, and hping that no one will remember this childish action. (This regret or fear is the unpleasant ripening of the karma, the unskillful decision to inflict pain through words.)

If there are no persons at all, then there is no self and no other. There is no distinction between pain of which there is direct sensual awareness (which is conventionally called one’s own pain) and pain that is known through inference (conventionally called another person’s pain). Whether pain is known directly or indirectly, there is either an urge to quell it or an urge to cultivate it. Whether joy is known directly or indirectly, there is either an urge to nourish it or to quell it. In the conventional language of speaking of events personally, the urge to quell all pain and to nourish all joy is known as being ethical or skillful or (if you like) good. The urge to nourish pain and quell joy is known as being unskillful, unethical or bad.

Being fully ethical is said to be impossible for those who make a distinction between self and other and show preference for the perceived self over the perceived other, for such perceptions inhibit being fully responsive. Being fully ethical is possible only for those who realize that all persons are empty, that is, devoid of personhood.

- read… learn… and take it by heart… you will encounter one soon don’t you worry… it’s up to you if it’s good or bad karma.

have a nice plain plan for everything did you? how much trust have you given? man… your wasting your time… nothing is a word i would use to define how much you have to give.

you know how someone have been left out by someone she really likes and can not move on because hoping that she and he will someday be together? that’s how exactly she is… so if i were you… better use your common sense and think how far can she really go with you… she likes comfort and that feeling of being love and nothing more… 

"what the mouth say’s, the heart doesn’t… wake up and smell how bad your coffee is!!!" got some great future ahead of you there boy and don’t waste it on someone who’s only there for her own interests and gain… nothing more…

Intro: D - G - C (4x)

Verse: D - C - G - A (2x)

Pre-Chorus: Bb - C - Bb - A

Chorus: D - E - G (4x)

KABATAANG PINOY
by Itchyworms

Verse I

barkada namin may pangarap
na nais abutin

pangarap namin magtagumpay
sa lahat ng gagawin

REFAIN:

iba na tayo ngayon
walang di nagagawa

sabihin mo, sabihin ko,
kaya natin to

CHORUS:

kabataang pinoy pagbutihan mo

pag-asa ka ng buong mundo

kabataang pinoy kayang kaya mo

pinoy ako pinoy tayo!

Verse II

hamon sa buhay handang daanan
kaya namin ‘yan

‘paglalaban namin ang nararapat
at tamang gagawin

REFAIN:

iba na tayo ngayon
matibay ang loob
sabihin mo,
sabihin ko,
kaya natin ‘to

CHORUS:

kabataang pinoy
pagbutihan mo
pag-asa ka ng buong mundo

kabataang pinoy kayang kaya mo

pinoy ako pinoy tayo!

Akin Ka Na LangJ. Nicolas

IntroG - Em - C7 - DG - Em - C7 - Eb^D

G     Em       C7   D      G            Em      A7  D 'Wag kang maniwala d'yan, di ka n'ya mahal talagaG        Em       C7    D         G          Em         A7  D    Sayang lang ang buhay mo kung mapupunta ka lang sa kanyaEm   Em+M7         Em7             Em6   Iiwanan ka lang n'yan mag-ingat kaAm7          Bm7          Cm7                D   Dagdag ka lamang sa milyong-milyong babae nya

KoroG          Bm7              CM7Akin ka na lang (akin ka na lang)         DIingatan ko ang puso moG          Bm7              CM7Akin ka na lang (akin ka na lang)     DAt wala nang hihigit pa sa'yo

'Di naman ako bolero katulad ng ibang taoAng totoo'y pag nand'yan ka medyo nabubulol pa nga akoMalangis lang ang dila n'yan 'wag kang madalaDahan-dahan ka lang, baka pati ika'y mabiktima ('Wag naman sana)

Ulitin Koro

TulayEbM7       Dm7         Cm7         F          BbM7^Bb7    'Di naman sa sinisiraan ko ang panget na 'yanEbM7                 Dm7      Gm7            Cdim7             D    'Wag ka dapat sa'kin magduda, hinding hindi   kita pababayaan

Ulitin Koro

BeerJ. Nicolas

IntroGM7 - CM7GM7 - C - CmG - F - E7

          Am7           D       GM7        E7Nais kong magpakalasing   dahil wala ka na       Am7            D          GM7 G7Nakatingin sa salamin   at nag-iisa      CNakatanim pa rin ang gumamelangCm                       Bm              E7Binalik mo sa'kin nang tayo'y maghiwalay A                        A6Ito'y katulad ng damdamin ko:                    Am                 DKahit buhusan mo ng beer ayaw pang mamatay

Pre-chorusGM7                   CM7     Am7 - DGiliw, 'wag mo sanang limutin        Bm                    CM7Ang mga araw na hindi sana naglaho     Bm                      CM7Mga anak at bahay nating pinaplano  Bm               E7                 AmLahat ng ito'y nawala nang iniwan mo ako  Am - pauseKaya ngayon

Chorus C            G             Em     BmIbuhos na ang beer sa aking lalamunan C            G           Em         BmUpang malunod na ang puso kong nahihirapan  C           B7sus  B7Bawat patak, anong sarap    Em     Em7             Em6Ano ba talaga'ng mas gusto ko,    Am            D            GAng beer na 'to o ang pag-ibig mo?

(intro)

Nais kong magpakasabog dahil olats akoKahit ano hihithitin, kahit tambutsoKukuha 'ko ng beer at ipapakuloSa kaldero't lalanghapin ang usok nitoLahat ay aking gagawin upang hindi ko na isipingNag-iisa na ako

Repeat ChorusInstrumental GM7 - C - Cm - Bm - E7 - A - A6 - Am - DRepeat Pre-chorusRepeat Chorus except last line

    AmAng beer na 'to...    BmAng beer na 'to...    CAng beer na 'to o ang...         (do intro chords until last G)Pag-ibig mo...